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Frankenstein

Frankenstein

by Mary Shelley

27 chapters•7h 4m

Chapters

27 episodes
TranscriptLetter 1

To Mrs. Saville, England.

St. Petersburgh, Dec. 11th, 17...

You will rejoice to hear that no disaster has accompanied the commencement of an enterprise which you have regarded with such evil forebodings. I arrived here yesterday, and my first task is to assure my dear sister of my welfare and increasing confidence in the success of my undertaking.

I am already far north of London, and as I walk in the streets of Petersburgh, I feel a cold northern breeze play upon my cheeks, which braces my nerves and fills me with delight. Do you understand this feeling? This breeze, which has travelled from the regions towards which I am advancing, gives me a foretaste of those icy climes. Inspirited by this wind of promise, my daydreams become more fervent and vivid. I try in vain to be persuaded that the pole is the seat of frost and desolation; it ever presents itself to my imagination as the region of beauty and delight. There, Margaret, the sun is for ever visible, its broad disk just skirting the horizon and diffusing a perpetual splendour. There-for with your leave, my sister, I will put some trust in preceding navigators-there snow and frost are banished; and, sailing over a calm sea, we may be wafted to a land surpassing in wonders and in beauty every region hitherto discovered on the habitable globe. Its productions and features may be without example, as the phenomena of the heavenly bodies undoubtedly are in those undiscovered solitudes. What may not be expected in a country of eternal light? I may there discover the wondrous power which attracts the needle and may regulate a thousand celestial observations that require only this voyage to render their seeming eccentricities consistent for ever. I shall satiate my ardent curiosity with the sight of a part of the world never before visited, and may tread a land never before imprinted by the foot of man. These are my enticements, and they are sufficient to conquer all fear of danger or death and to induce me to commence this laborious voyage with the joy a child feels when he embarks in a little boat, with his holiday mates, on an expedition of discovery up his native river. But supposing all these conjectures to be false, you cannot contest the inestimable benefit which I shall confer on all mankind, to the last generation, by discovering a passage near the pole to those countries, to reach which at present so many months are requisite; or by ascertaining the secret of the magnet, which, if at all possible, can only be effected by an undertaking such as mine.

These reflections have dispelled the agitation with which I began my letter, and I feel my heart glow with an enthusiasm which elevates me to heaven, for nothing contributes so much to tranquillise the mind as a steady purpose-a point on which the soul may fix its intellectual eye. This expedition has been the favourite dream of my early years. I have read with ardour the accounts of the various voyages which have been made in the prospect of arriving at the North Pacific Ocean through the seas which surround the pole. You may remember that a history of all the voyages made for purposes of discovery composed the whole of our good Uncle Thomas’ library. My education was neglected, yet I was passionately fond of reading. These volumes were my study day and night, and my familiarity with them increased that regret which I had felt, as a child, on learning that my father’s dying injunction had forbidden my uncle to allow me to embark in a seafaring life.

These visions faded when I perused, for the first time, those poets whose effusions entranced my soul and lifted it to heaven. I also became a poet and for one year lived in a paradise of my own creation; I imagined that I also might obtain a niche in the temple where the names of Homer and Shakespeare are consecrated. You are well acquainted with my failure and how heavily I bore the disappointment. But just at that time I inherited the fortune of my cousin, and my thoughts were turned into the channel of their earlier bent.

Six years have passed since I resolved on my present undertaking. I can, even now, remember the hour from which I dedicated myself to this great enterprise. I commenced by inuring my body to hardship. I accompanied the whale-fishers on several expeditions to the North Sea; I voluntarily endured cold, famine, thirst, and want of sleep; I often worked harder than the common sailors during the day and devoted my nights to the study of mathematics, the theory of medicine, and those branches of physical science from which a naval adventurer might derive the greatest practical advantage. Twice I actually hired myself as an under-mate in a Greenland whaler, and acquitted myself to admiration. I must own I felt a little proud when my captain offered me the second dignity in the vessel and entreated me to remain with the greatest earnestness, so valuable did he consider my services.

And now, dear Margaret, do I not deserve to accomplish some great purpose? My life might have been passed in ease and luxury, but I preferred glory to every enticement that wealth placed in my path. Oh, that some encouraging voice would answer in the affirmative! My courage and my resolution is firm; but my hopes fluctuate, and my spirits are often depressed. I am about to proceed on a long and difficult voyage, the emergencies of which will demand all my fortitude: I am required not only to raise the spirits of others, but sometimes to sustain my own, when theirs are failing.

This is the most favourable period for travelling in Russia. They fly quickly over the snow in their sledges; the motion is pleasant, and, in my opinion, far more agreeable than that of an English stagecoach. The cold is not excessive, if you are wrapped in furs-a dress which I have already adopted, for there is a great difference between walking the deck and remaining seated motionless for hours, when no exercise prevents the blood from actually freezing in your veins. I have no ambition to lose my life on the post-road between St. Petersburgh and Archangel.

I shall depart for the latter town in a fortnight or three weeks; and my intention is to hire a ship there, which can easily be done by paying the insurance for the owner, and to engage as many sailors as I think necessary among those who are accustomed to the whale-fishing. I do not intend to sail until the month of June; and when shall I return? Ah, dear sister, how can I answer this question? If I succeed, many, many months, perhaps years, will pass before you and I may meet. If I fail, you will see me again soon, or never.

Farewell, my dear, excellent Margaret. Heaven shower down blessings on you, and save me, that I may again and again testify my gratitude for all your love and kindness.

Your affectionate brother,

R. Walton

Beyond the audiobook

Fan Trivia & Literary Deep Dives

Discover the fascinating truths about Mary Shelley's masterpiece—from the nightmare that started it all to the shocking differences between book and film.

A Nightmare Sparked Modern Science Fiction

Mary Shelley dreamed of "the hideous progeny of my unhallowed arts" during a fever dream in 1816. That nightmare birthed the entire sci-fi genre at age 18. She was staying at Villa Diodati in Switzerland with Lord Byron and Percy Shelley during an unusually dark, cold summer. When Byron challenged his guests to write terrifying tales, Mary struggled until her haunting dream gave her the perfect story—one that would define literary horror and sci-fi for generations.

The Creature Can Speak Seven Languages

Unlike Hollywood's grunting monster, the Creature in the novel is erudite and multilingual, having learned from observing human life and reading classical texts. He acquires language by secretly listening to the De Lacey family, absorbing their speech and grammar. Through their conversations and abandoned books, he learns French, German, Italian, and more. His ability to speak eloquently and philosophize makes his suffering even more tragic—he's capable of reason and emotion, yet society rejects him solely for his appearance.

Paradise Lost Holds the Key

The Creature discovers Milton's "Paradise Lost" and identifies with Satan. The novel uses this classical text to explore themes of creation, abandonment, and revenge. When he finds the book in Victor's discarded clothes, he sees his own tragic story reflected in Satan's fall from grace. Both are powerful beings cast out by their creators, cursed to wander a hostile world. This literary parallel transforms the Creature's pain into philosophical understanding—he realizes he's not alone in his suffering, but this realization also fuels his desire for justice and revenge against his maker.

Victor Never Actually Names His Creation

The creature is referred to as "it," "him," or "the Creature"—but never given a true name. This namelessness is central to his isolation and pain. By denying him a name, Victor strips him of identity and humanity. The Creature himself desperately seeks recognition—he even offers to accept a companion of his own kind or begs Victor to publicly acknowledge him. A name would be an act of acceptance, a statement that he belongs to the human world. Instead, his lack of a name mirrors his existential void: he exists outside society, unnamed and unrecognized, which deepens the tragedy of his longing for connection.

The Story Behind the Story

1816

Lake Geneva Ghost Story Challenge

Mary, Percy Shelley, Lord Byron, and Claire Clairmont compete to write terrifying tales during a dark summer. Mary wins with Frankenstein.

1818

Anonymous Publication Sparks Rumors

Published without Mary's name; critics immediately assumed Percy wrote it. The literary world was stunned when they discovered the true author was a young woman.

1831

13-Year Revision Deepens Themes

Mary rewrites the novel, emphasizing Victor's moral weakness and the Creature's philosophical sophistication. This version is the one taught in most schools today.

Hollywood vs. The Actual Novel

For over a century, Hollywood has reimagined Frankenstein for the screen—but often at the expense of Mary Shelley's original vision. Here's what the movies got spectacularly wrong:

Hollywood version

"It's alive!" exclamation

What the book actually says

Never said in the novel—pure Hollywood invention from the 1931 film.

Hollywood version

Green, flat-headed monster

What the book actually says

The Creature is described as eerily beautiful initially, with perfect proportions that horrify Victor.

Hollywood version

Mad scientist cackle

What the book actually says

Victor is tormented and guilt-ridden, not comedically evil. He's a tragic figure.

Hollywood version

Creature lacks intelligence

What the book actually says

Book-Creature is eloquent, philosophical, and reads classic literature. He's lonely, not mindless.

Hollywood version

Creature is purely evil and violent

What the book actually says

The Creature begins innocent and kind, only turning violent after repeated human rejection. He's a victim of circumstance.

Hollywood version

Immediate monster rampage

What the book actually says

The novel spans years. The Creature first tries to integrate into society, learns language, and only seeks revenge after being refused companionship.

Timeless Themes That Still Haunt Us

Why Frankenstein remains relevant 200+ years later:

Creation Without Responsibility

Victor abandons the Creature immediately after animating him, never raising or educating him. The novel asks: Is the creator responsible for the monster they create? This echoes modern debates about AI, technology, and parenting.

The Power of Names and Identity

Being unnamed, the Creature exists without identity or place in society. He begs Victor for companionship and a mate, seeking recognition as a being worth knowing. A name would be an act of acceptance and humanity.

Nature vs. Ambition

Victor's unchecked ambition destroys his family and life. The novel warns against pursuing knowledge without considering the consequences. Progress without ethics leads to catastrophe.

Isolation and Empathy

The Creature's descent into violence stems from humanity's rejection. He becomes monstrous because he's treated as a monster—a chilling commentary on society and how we create monsters through cruelty.

Parental Abandonment and Trauma

Victor's failure as a "parent" mirrors real family abandonment and childhood trauma. The Creature's lifelong longing for acceptance stems from being discarded at birth. This psychological dimension transforms the horror from supernatural to deeply human.

The Danger of Playing God

Victor's transgression isn't just scientific—it's spiritual. By creating life, he assumes powers reserved for nature and divinity. The novel explores the hubris of believing humans can control or perfect creation without divine wisdom or moral restraint.

Love and Companionship as Humanity's Core Need

The Creature is intelligent, articulate, and capable of deep emotion. His greatest pain isn't physical—it's the absence of love. He begs for a companion, a family, recognition. The novel suggests that connection, not intelligence, makes us human.

The Victim Becomes the Perpetrator

The Creature starts innocent and gentle, only turning violent after being hunted and tortured by society. Victor is the original villain whose inaction births revenge. The novel complicates morality—there are no pure villains, only damaged people harming each other.

Frankenstein 101: Your Questions Answered

Who wrote Frankenstein?
Mary Wollstonecraft Shelley (1797–1851). She conceived the story at age 18 during the famous 1816 Lake Geneva gathering with Lord Byron and her future husband Percy Shelley.
What is the full title?
Frankenstein; or, The Modern Prometheus. The subtitle references the Greek Titan who stole fire (knowledge) for humanity and was eternally punished—mirroring Victor's hubris.
Why is the Creature never named?
The lack of a name is intentional. It emphasizes the Creature's existential isolation and his desperate quest for identity and acceptance in a society that rejects him.
Is the book scarier than the movies?
Psychologically, yes. The novel explores themes of guilt, abandonment, and rejection that are far more disturbing than any monster movie. The horror is internal.
How long is Frankenstein?
The original 1818 edition is roughly 280 pages. It reads quickly despite its philosophical depth—perfect for immersive audiobook listening.
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